So many things to thank Lester for... multi-track tape recording, solid-body guitars, electronic instrument amplification, overdubbing, delay, phasing, mic milking... not to mention a huge body of truly wonderful music... a true genius, and a true loss for all of music.   

And besides, anyone who's a buddy of Chester Adkins is OK with me.

whosasailorthen wrote:

So many things to thank Lester for... multi-track tape recording, solid-body guitars . . .

In-Deed - The "full body sound" of the Gibson Les Paul is un-matched.  I only wish that I could afford to have mine re-fretted.  I hate to think about it just sitting in it's case in an un-playable state (It's a 1963 custom "gold-top", and one of the "first loves of my life").