#1451 2011-12-12 17:56:49
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#1452 2011-12-14 18:14:19
#1453 2011-12-22 02:33:58
#1454 2011-12-22 12:39:57
Guster FTW!
Horizontal axis is average SAT score at a college. Boxes are placed according to how many people at that college listed that band as in their top 10 favorite bands/music styles.
Clickty!
Last edited by GooberMcNutly (2011-12-22 12:41:05)
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#1455 2011-12-29 20:14:56
#1456 2012-01-04 08:59:34
#1457 2012-01-06 16:52:46
#1458 2012-01-06 17:40:38
XregnaR wrote:
Her Keigels must be able to bend steel bars. I'm strangely aroused...
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#1459 2012-01-10 14:42:27
#1460 2012-01-14 18:07:31
#1461 2012-01-19 19:39:15
whosasailorthen wrote:
I'm losing status at my high school...
This is a flashback.
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#1462 2012-01-24 08:51:40
#1463 2012-01-31 17:21:54
#1464 2012-02-02 16:31:35
#1465 2012-02-03 11:34:38
#1466 2012-02-03 11:46:35
#1467 2012-02-08 19:50:29
#1468 2012-02-11 14:56:06
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#1469 2012-02-11 20:31:24
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#1470 2012-02-11 20:36:55
#1471 2012-02-13 09:47:37
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#1472 2012-02-17 14:07:23
#1473 2012-02-17 16:59:30
#1474 2012-02-22 16:09:40
#1475 2012-02-22 16:31:26
#1476 2012-02-22 16:45:55
Max Roach plus
Sweet
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#1477 2012-02-26 13:52:42
Auto-edited on 2020-08-02 to update URLs
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#1478 2012-02-26 17:38:05
#1479 2012-03-01 23:33:28
#1480 2012-03-04 22:07:13
#1481 2012-03-05 03:34:20
#1482 2012-03-11 16:22:57
So much history here. But as yet no Aryan Jazz with its major key sensibility of joyful expression.
1. Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;
2. in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;
3. As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;
4. so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);
5. strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);
6. also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);
7. the double bass must be played solely with the bow in so-called jazz compositions;
8. plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;
9. musicians are likewise forbidden to make vocal improvisations (so-called scat);
10. all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.
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#1483 2012-03-11 20:09:10
Johnny_Rotten wrote:
So much history here. But as yet no Aryan Jazz with its major key sensibility of joyful expression.
1. Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;
2. in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;
3. As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;
4. so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);
5. strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);
6. also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);
7. the double bass must be played solely with the bow in so-called jazz compositions;
8. plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;
9. musicians are likewise forbidden to make vocal improvisations (so-called scat);
10. all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.
Which is why the crews of Luftwaffe bombers always tuned into the jazz on the BBC as soon as they could. And no, I never mentioned Lawrence Welk in this context.
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#1484 2012-03-13 02:02:36
Hang on through the opening credits, about 2 minutes. It gets much worse after that.
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#1485 2012-03-14 14:09:03
#1486 2012-03-14 15:19:56
#1487 2012-03-16 12:07:49
And now, for something completely different...
The hardest workin' man in show bidness...
And you thought someone else invented the moonwalk... harumph...
Interestingly, the T.A.M.I. Show was hosted by "Jan & Dean's" Jan Berry, and produced by, of all people, the folks from the Steve Allen Show. It was probably the first real 'rocumentary' or music video.
Last edited by whosasailorthen (2012-03-16 12:11:34)
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#1488 2012-03-20 00:46:29
#1489 2012-03-20 17:01:31
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#1490 2012-03-20 17:10:58
She had that
Camarillo brillo
Flamin out along her head,
I mean her mendocino bean-o
By where some bugs had made it red
She ruled the toads
Of the short forest
And every newt in idaho
And every cricket who had chorused
By the bush in buffalo
She said she was
A magic mama
And she could throw a mean tarot
And carried on without a comma
That she was someone I should know
She had a snake for a pet
And an amulet
And she was breeding a dwarf
But she wasn't done yet
She had gray-green skin
A doll with a pin
I told her she was awright
But I couldnt come in
(I couldnt come in right then...)
And so she wandered
Trough the door-way
Just like a shadow from the tomb
She said her stereo was four-way
An I'd just love it in her room
Well, I was born
To have adventure
So I just followed up the steps
Right past her fuming incense stencher
To where she hung her castanets
She stripped away
Her ranchid poncho
An laid out naked by the door
We did it till we were un-concho
An it was useless any more
She had a snake for a pet
And an amulet
And she was breeding a dwarf
But she wasn't done yet
She had gray-green skin
A doll with a pin
I told her she was awright
But I couldnt come in
(actually, I was very busy then)
And so she wandered
Trough the door-way
Just like a shadow from the tomb
She said her stereo was four-way
An I'd just love it in her room
Well, I was born
To have adventure
So I just followed up the steps
Right past her fuming incense stencher
To where she hung her castanets
She said she was
A magic mama
And she could throw a mean tarot
And carried on without a comma
That she was someone I should know
(is that a real poncho...i mean
Is that a mexican poncho
Or is that a sears poncho?
Hmmm...no foolin ...)
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